{"id":15246,"date":"2021-03-03T08:01:04","date_gmt":"2021-03-03T08:01:04","guid":{"rendered":"https:\/\/www.nexeimpressions.com\/hospici-de-girona\/"},"modified":"2024-06-07T11:08:47","modified_gmt":"2024-06-07T09:08:47","slug":"hospici-de-girona","status":"publish","type":"post","link":"https:\/\/nexeimpressions.com\/fr\/hospici-de-girona\/","title":{"rendered":"L\u2019Hospici de Girona (1769-1963). Silences et paroles d&rsquo;un monde isol\u00e9"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb][vc_column][vc_column_text]<\/p>\n\n\t\t<style type=\"text\/css\">\n\t\t\t#gallery-1 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 33%;\n\t\t\t}\n\t\t\t#gallery-1 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-1' class='gallery galleryid-15246 gallery-columns-3 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row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/2&Prime;][vc_column_text]<span style=\"color: #d13f52;\"><strong>\u00c9dition<br \/>\n<\/strong><\/span><strong>Editorial Gavarres<\/strong>[\/vc_column_text][vc_empty_space height=\u00a0\u00bb20px\u00a0\u00bb][vc_column_text]<span style=\"color: #d13f52;\"><strong>Coordination \u00e9ditoriale<br \/>\n<\/strong><\/span><strong>\u00c0ngel Madri\u00e0 i Dolors Roset<\/strong>[\/vc_column_text][vc_empty_space height=\u00a0\u00bb20px\u00a0\u00bb][vc_column_text]<span style=\"color: #d13f52;\"><strong>Auteure<br \/>\n<\/strong><\/span><strong>C\u00e9line Mutos Xicola<\/strong>[\/vc_column_text][vc_empty_space height=\u00a0\u00bb20px\u00a0\u00bb][vc_column_text]<span style=\"color: #d13f52;\"><strong>R\u00e9vision linguistique<br \/>\n<\/strong><\/span><b>Roser Bech Padrosa i Sara Borrell<\/b>[\/vc_column_text][vc_empty_space height=\u00a0\u00bb20px\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb1\/2&Prime;][vc_column_text]<span style=\"color: #d13f52;\"><strong>Projet graphique<br \/>\n<\/strong><\/span><b>Grup Gavarres<\/b>[\/vc_column_text][vc_empty_space height=\u00a0\u00bb20px\u00a0\u00bb][vc_column_text]<span style=\"color: #d13f52;\"><strong>Mise en page<br \/>\n<\/strong><\/span><strong>Jon Giere<\/strong>[\/vc_column_text][vc_empty_space height=\u00a0\u00bb20px\u00a0\u00bb][vc_column_text]<span style=\"color: #d13f52;\"><strong>Photographie de t\u00e9moins<br \/>\n<\/strong><\/span><strong>Aniol Resclosa i Planes<\/strong>[\/vc_column_text][vc_empty_space height=\u00a0\u00bb20px\u00a0\u00bb][vc_column_text]<span style=\"color: #d13f52;\"><strong>Impression<br \/>\n<\/strong><\/span><strong>Nexe Impressions<\/strong>[\/vc_column_text][vc_empty_space height=\u00a0\u00bb20px\u00a0\u00bb][\/vc_column][\/vc_row][vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb][vc_column][vc_empty_space height=\u00a0\u00bb40px\u00a0\u00bb][vc_column_text]<strong><em>par Llu\u00eds Masdevall<\/em><\/strong>[\/vc_column_text][vc_empty_space height=\u00a0\u00bb20px\u00a0\u00bb][vc_column_text]<em>L\u2019Hospici de Girona (1769-1963). Silencis i paraules d\u2019un m\u00f3n en reclusi\u00f3\u00a0<\/em>est un ouvrage tr\u00e8s particulier pour ma famille et moi. D\u2019une certaine fa\u00e7on, parce que l\u2019on pourrait consid\u00e9rer que la gen\u00e8se de\u00a0<strong>Nexe Impressions<\/strong>\u00a0\u00e0 G\u00e9rone et\u00a0des <strong>Cam\u00e9l\u00e9ons Artisans de l\u2019Image<\/strong>\u00a0\u00e0 Paris est due \u00e0 une s\u00e9rie de co\u00efncidences, ainsi que de circonstances historiques et personnelles qui s\u2019y remontent. Mon p\u00e8re,\u00a0Jaume Masdevall i Boada (qu\u2019il repose en paix) naquit et v\u00e9cu dans cet hospice jusqu\u2019\u00e0 l\u2019\u00e2ge de 14 ans. \u00c0 partir de cet \u00e2ge, l\u2019institution consid\u00e9rait que l\u2019enfant n\u2019avait plus \u00e0 \u00eatre tributaire de la charit\u00e9 et devait s\u2019ins\u00e9rer dans la soci\u00e9t\u00e9. C\u2019est donc \u00e0 un tr\u00e8s jeune \u00e2ge que mon p\u00e8re a commenc\u00e9 \u00e0 se former au m\u00e9tier d\u2019imprimeur, tout d\u2019abord au sein de l\u2019atelier de l\u2019hospice. Son apprentissage lui permis de se forger un avenir et de travailler par la suite \u00e0 <strong>l\u2019Impremta Moderna<\/strong>\u00a0et <strong>l\u2019Impremta Llach<\/strong>\u00a0\u00e0 G\u00e9rone, aujourd\u2019hui disparues. Un m\u00e9tier qu\u2019il exer\u00e7a jusqu\u2019\u00e0 la fin de sa courte vie. D\u2019ailleurs, c\u2019est l\u2019une des raisons pour lesquelles je suis, moi aussi, imprimeur, et ce fut une exp\u00e9rience tr\u00e8s \u00e9mouvante de d\u00e9couvrir ce que je vais de ce pas vous expliquer, gr\u00e2ce \u00e0 l\u2019excellent travail de\u00a0<strong>C\u00e9line Mutos<\/strong>\u00a0et au savoir-faire du bon ami et grand \u00e9diteur\u00a0<strong>\u00c0ngel Madri\u00e0<\/strong>\u00a0de\u00a0<strong>Editorial Gavarres<\/strong><strong>.<\/strong>[\/vc_column_text][vc_empty_space height=\u00a0\u00bb20px\u00a0\u00bb][vc_column_text]Les travaux de recherche historique ont toujours une partie bouleversante, et dans ce cas concret avec encore plus de raison : l\u2019histoire de l\u2019hospice comme origine et destination des enfants qui y vivaient (y mal vivaient) ensemble \u00e9tait enterr\u00e9e sous des tonnes de secret et d\u2019opacit\u00e9. Cette \u0153uvre rend une justice historique, et presque po\u00e9tique, en donnant la parole \u00e0 ces enfants, aujourd\u2019hui devenus de tr\u00e8s dignes grands-parents, sauvant de l\u2019oubli et des t\u00e9n\u00e8bres le vestige d\u2019une \u00e9poque dont nous devons nous souvenir et honorer.[\/vc_column_text][vc_empty_space height=\u00a0\u00bb20px\u00a0\u00bb][vc_column_text]Mon p\u00e8re n\u2019avait connu ni ses parents, ni aucun membre de sa famille. Il \u00e9tait l\u2019un des m\u00f4mes orphelins de la p\u00e9riode d\u2019apr\u00e8s-guerre espagnole. Il nous avait toujours dit que la seule chose dont il devait les remercier, c\u2019\u00e9tait de lui laisser pour tout bagage les noms de famille Masdevall i Boada. Mais, comme je vous l\u2019ai dit, gr\u00e2ce \u00e0 C\u00e9line nous avons d\u00e9couvert \u2026 m\u00eame pas \u00e7a! Ses noms de famille lui ont \u00e9t\u00e9 donn\u00e9s par l\u2019aum\u00f4nier de service \u00e0 l\u2019\u00e9poque, ce qui semble avoir \u00e9t\u00e9 une pratique courante pour les nourrissons abandonn\u00e9s. L\u2019aum\u00f4nier leur donnait des noms de famille li\u00e9s \u00e0 la terre o\u00f9 ils naissaient, pour, au moins, se sentir de quelque part. Je dois donc vous avouer, que le patronyme\u00a0Masdevall\u00a0dont nous avons h\u00e9rit\u00e9 ma s\u0153ur Laura, mes deux enfants, Jaume et Arnau, et moi-m\u00eame n\u2019est autre que le r\u00e9sultat du choix subjectif d\u2019un aum\u00f4nier catalan de l\u2019apr\u00e8s-guerre. Jamais, nous ne pourrons remercier C\u00e9line et ses travaux de recherche pour le retentissement que cela a eu sur notre famille, la d\u00e9couverte de l\u2019identit\u00e9 de notre grand-m\u00e8re,\u00a0<strong>Teresa Vila i Sastre<\/strong>, fille de\u00a0<strong>Sant Joan de Mollet<\/strong>.[\/vc_column_text][vc_empty_space height=\u00a0\u00bb20px\u00a0\u00bb][vc_column_text]<em>Il s\u2019av\u00e8re que finalement, papa, si que tu avais une m\u00e8re et bien plus pr\u00e8s que tu n\u2019aurais jamais pu l\u2019imaginer, si proche et si loin, s\u00e9par\u00e9s par l\u2019ab\u00eeme de l\u2019orphelinat. Qui nous aurais dit que tous les deux \u00e9tiez voisins depuis 14 ans, deux portes sur le m\u00eame trottoir. Toi, tu travaillais \u00e0 <strong>l\u2019Impremta Llach<\/strong>, aujourd\u2019hui disparue, mais anciennement situ\u00e9e au 44 rue Santa Clara \u00e0 G\u00e9rone, et elle, la grand-m\u00e8re, cette image toujours absente, habitait au num\u00e9ro 30 de la m\u00eame rue. Un ab\u00eeme au milieu de la rue, sur le m\u00eame trottoir<\/em>. L\u2019histoire est l\u00e0, celle dont la r\u00e9alit\u00e9 d\u00e9passe presque toujours la fiction. Dans le livre de C\u00e9line, magnifiquement \u00e9dit\u00e9 par Editorial Gavarres, vous trouverez des histoires troublantes, r\u00e9elles et m\u00e9connues de survivants condamn\u00e9s d\u00e8s le berceau et qui ont \u00e9galement laiss\u00e9 leur empreinte dans la ville de G\u00e9rone et sa r\u00e9gion. En plus d\u2019un bonne dose d\u2019intra-histoire, des gar\u00e7ons et des filles, aux diff\u00e9rents m\u00e9tiers, qui dans la plupart des cas ont \u00e9t\u00e9 un exemple de surpassement et de dignit\u00e9 tout au long de leurs vies, l\u2019hospice nous a aussi, d\u2019une certaine mani\u00e8re, laiss\u00e9 \u00e0 travers l\u2019un de ses enfants les plus illustres, l\u2019artiste de G\u00e9rone\u00a0<strong>Dom\u00e8nec Fita<\/strong>, un h\u00e9ritage artistique extraordinaire pour la ville.[\/vc_column_text][vc_empty_space height=\u00a0\u00bb20px\u00a0\u00bb][vc_column_text]Pouvez-vous imaginer \u00e0 quoi ressemblait la vie des enfants de l\u2019hospice? Envie de faire un petit voyage, social, politique et m\u00eame anthropologique \u00e0 travers les t\u00e9moignages de ceux qui y ont mal v\u00e9cu ? Voulez-vous conna\u00eetre la vie dans la ville de 1769 \u00e0 1963, d\u2019un point de vue diff\u00e9rent, silencieux mais tr\u00e8s vivant et \u00e9motif ?\u00a0 <a href=\"https:\/\/www.grupgavarres.cat\/producte\/lhospici-de-girona-1769-1963\/\" target=\"_blank\" rel=\"noopener\"><strong>Achetez le livre de C\u00e9line Mutos et de l\u2019Editorial Gavarres !<\/strong><\/a>[\/vc_column_text][vc_empty_space height=\u00a0\u00bb20px\u00a0\u00bb][vc_column_text]Ce magnifique travail historique a \u00e9t\u00e9 r\u00e9alis\u00e9 par\u00a0<strong>C\u00e9line Mutos Xicola<\/strong>, professeure et chercheuse \u00e0 l\u2019<strong><a href=\"https:\/\/www.udg.edu\/ca\/\" target=\"_blank\" rel=\"noopener\">Universitat de Girona<\/a><\/strong>, soigneusement \u00e9dit\u00e9 par\u00a0<strong><a href=\"https:\/\/www.grupgavarres.cat\/\" target=\"_blank\" rel=\"noopener\">Editorial Gavarres<\/a><\/strong>, et a \u00e9t\u00e9 parrain\u00e9 par la\u00a0<strong><a href=\"https:\/\/casadecultura.org\/\" target=\"_blank\" rel=\"noopener\">Casa de Cultura de la Diputaci\u00f3 de Girona<\/a><\/strong>\u00a0avec la collaboration de l\u2019<strong><a href=\"https:\/\/web.girona.cat\/\" target=\"_blank\" rel=\"noopener\">Ajuntament de Girona<\/a><\/strong>, la\u00a0<strong>Fundaci\u00f3 Fita<\/strong>\u00a0et la soci\u00e9t\u00e9\u00a0<strong>Nexe Impressions<\/strong>.[\/vc_column_text][vc_empty_space height=\u00a0\u00bb70px\u00a0\u00bb][\/vc_column][\/vc_row][vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb][vc_column][vc_column_text]<\/p>\n<h2><strong>Caract\u00e9ristiques techniques<\/strong><\/h2>\n<p>[\/vc_column_text][vc_empty_space height=\u00a0\u00bb30px\u00a0\u00bb][vc_column_text]<\/p>\n<h4 class=\"wpb_wrapper\"><span style=\"color: #d13f52;\"><strong>Livre en dos carr\u00e9 coll\u00e9 avec rabats imprim\u00e9s en LED UV<\/strong><\/span><\/h4>\n<p>[\/vc_column_text][vc_empty_space height=\u00a0\u00bb20px\u00a0\u00bb][vc_column_text]<\/p>\n<div class=\"vc_row wpb_row section vc_row-fluid \">\n<div class=\" full_section_inner clearfix\">\n<div class=\"wpb_column vc_column_container vc_col-sm-12\">\n<div class=\"vc_column-inner \">\n<div class=\"wpb_wrapper\"><strong>Format<br \/>\n<\/strong>21 x 24 cm.<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p>[\/vc_column_text][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][vc_column_text]<\/p>\n<div class=\"vc_row wpb_row section vc_row-fluid \">\n<div class=\" full_section_inner clearfix\">\n<div class=\"wpb_column vc_column_container vc_col-sm-12\">\n<div class=\"vc_column-inner \">\n<div class=\"wpb_wrapper\"><strong>Pages<br \/>\n<\/strong>192 + couverture avec rabats<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p>[\/vc_column_text][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][vc_column_text]<\/p>\n<div class=\"vc_row wpb_row section vc_row-fluid \">\n<div class=\" full_section_inner clearfix\">\n<div class=\"wpb_column vc_column_container vc_col-sm-12\">\n<div class=\"vc_column-inner \">\n<div class=\"wpb_wrapper\"><strong>Impression<br \/>\n<\/strong>LED UV<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p>[\/vc_column_text][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][vc_column_text]<\/p>\n<div class=\"vc_row wpb_row section vc_row-fluid \">\n<div class=\" full_section_inner clearfix\">\n<div class=\"wpb_column vc_column_container vc_col-sm-12\">\n<div class=\"vc_column-inner \">\n<div class=\"wpb_wrapper\"><strong>Papier sur la couverture<br \/>\n<\/strong><a href=\"https:\/\/www.fedrigoni.es\/selector-de-papel\/arena\" target=\"_blank\" rel=\"noopener\">Arena Natural Rough<\/a> de 300 g. (Fedrigoni Papers) imprim\u00e9 \u00e0 4 + 0<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p>[\/vc_column_text][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][vc_column_text]<\/p>\n<div class=\"vc_row wpb_row section vc_row-fluid \">\n<div class=\" full_section_inner clearfix\">\n<div class=\"wpb_column vc_column_container vc_col-sm-12\">\n<div class=\"vc_column-inner \">\n<div class=\"wpb_wrapper\"><strong>Papier int\u00e9rieur<br \/>\n<\/strong><a href=\"https:\/\/www.fedrigoni.es\/selector-de-papel\/arena\" target=\"_blank\" rel=\"noopener\">Arena Natural Rough<\/a> de 90 g. (Fedrigoni Papers) imprim\u00e9 \u00e0 2 + 2<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p>[\/vc_column_text][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][vc_column_text]<\/p>\n<div class=\"vc_row wpb_row section vc_row-fluid \">\n<div class=\" full_section_inner clearfix\">\n<div class=\"wpb_column vc_column_container vc_col-sm-12\">\n<div class=\"vc_column-inner \">\n<div class=\"wpb_wrapper\"><strong>Reliure<br \/>\n<\/strong>Dos carr\u00e9 coll\u00e9<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p>[\/vc_column_text][vc_empty_space height=\u00a0\u00bb40px\u00a0\u00bb][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>L\u2019Hospici de Girona (1769-1963). Silencis i paraules d\u2019un m\u00f3n en reclusi\u00f3 est un livre tr\u00e8s sp\u00e9cial pour moi et ma famille. D&rsquo;une certaine mani\u00e8re, mais pas seulement, car on pourrait consid\u00e9rer que la gen\u00e8se de Nexe Impressions \u00e0 G\u00e9rone et des Cam\u00e9l\u00e9ons Artisans de l\u2019Image \u00e0 Paris est due \u00e0 une s\u00e9rie de co\u00efncidences et de circonstances historiques et personnelles qui remontent l\u00e0-bas. Mon p\u00e8re, Jaume Masdevall i Boada (DEP), y est n\u00e9 et y a v\u00e9cu jusqu&rsquo;\u00e0 l&rsquo;\u00e2ge de 14 ans, \u00e2ge auquel l&rsquo;institution a consid\u00e9r\u00e9 que l&rsquo;enfant pouvait d\u00e9j\u00e0 \u00eatre ins\u00e9r\u00e9 dans la soci\u00e9t\u00e9 et a donc cess\u00e9 d&rsquo;\u00eatre responsable de la charit\u00e9. \u00c0 un tr\u00e8s jeune \u00e2ge, mon p\u00e8re a commenc\u00e9 \u00e0 apprendre le m\u00e9tier d&rsquo;imprimeur \u00e0 l&rsquo;\u00e9cole d&rsquo;hospice et cela lui a permis de le pratiquer et de se forger un avenir dans l&rsquo;Impremta Moderna et l&rsquo;Impremta Llach \u00e0 G\u00e9rone, aujourd&rsquo;hui disparue, jusqu&rsquo;\u00e0 la fin de sa courte vie. En fait, c&rsquo;est l&rsquo;une des raisons pour lesquelles je suis aussi imprimeur, et ce fut une exp\u00e9rience tr\u00e8s \u00e9mouvante de d\u00e9couvrir ce que j&rsquo;expliquerai un peu plus bas, gr\u00e2ce \u00e0 l&rsquo;excellent travail de C\u00e9line Mutos et au bien de se faire la bonne amie et le grand \u00e9diteur \u00c0ngel Madri\u00e0 de Editorial Gavarres.<\/p>\n","protected":false},"author":1,"featured_media":15171,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"gallery","meta":{"footnotes":""},"categories":[362],"tags":[],"class_list":["post-15246","post","type-post","status-publish","format-gallery","has-post-thumbnail","hentry","category-editorial-fr","post_format-post-format-gallery"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v25.0 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>L\u2019Hospici de Girona (1769-1963). 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