{"id":3319,"date":"2017-02-01T13:30:19","date_gmt":"2017-02-01T13:30:19","guid":{"rendered":"http:\/\/www.nexeimpressions.com\/non-classifiee\/picasso-paris\/"},"modified":"2021-03-23T14:02:25","modified_gmt":"2021-03-23T14:02:25","slug":"picasso-paris","status":"publish","type":"post","link":"https:\/\/nexeimpressions.com\/fr\/picasso-paris\/","title":{"rendered":"\u00c9ditions Cercle d&rsquo;Art &#8211; Fondation Picasso Paris"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb][vc_column][vc_column_text]<\/p>\n\n\t\t<style type=\"text\/css\">\n\t\t\t#gallery-1 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-item {\n\t\t\t\tfloat: 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height=\"200\" src=\"https:\/\/nexeimpressions.com\/wp-content\/uploads\/2018\/01\/IMG_0709-300x200.jpg\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/nexeimpressions.com\/wp-content\/uploads\/2018\/01\/IMG_0709-300x200.jpg 300w, https:\/\/nexeimpressions.com\/wp-content\/uploads\/2018\/01\/IMG_0709-768x512.jpg 768w, https:\/\/nexeimpressions.com\/wp-content\/uploads\/2018\/01\/IMG_0709.jpg 1024w, https:\/\/nexeimpressions.com\/wp-content\/uploads\/2018\/01\/IMG_0709-700x467.jpg 700w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb][vc_column][vc_empty_space][\/vc_column][\/vc_row][vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb][vc_column][vc_column_text]<\/p>\n<h4>Livre: PICASSO, Toros y Toreros<\/h4>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb padding_top=\u00a0\u00bb30&Prime;][vc_column][vc_column_text]<\/p>\n<h4><strong>Introduction<\/strong><\/h4>\n<p>[\/vc_column_text][vc_empty_space][vc_column_text]<span class='q_dropcap normal' style='color:#303030;font-size: 32px;'>A<\/span><span lang=\"FR\">vec ce projet, nous avons relev\u00e9 un d\u00e9fi technologique. La premi\u00e8re de nos forces pour r\u00e9ussir \u00e9tait l\u2019association photogravure (<strong>les Cam\u00e9l\u00e9ons<\/strong>) et l\u2019impression (<strong>Agpograf<\/strong>).<\/span>[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb25&Prime; down=\u00a0\u00bb0&Prime;][\/vc_column][\/vc_row][vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb][vc_column][vc_column_text]Lorsque Monsieur Bernard Champeau, chef de projet aux <em>Editons du Cercle d\u2019Art<\/em>, nous a montr\u00e9 le projet, nous n\u2019avons imagin\u00e9 que le r\u00e9sultat pouvait \u00eatre aussi vite satisfaisant, pour tous.[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb25&Prime; down=\u00a0\u00bb0&Prime;][\/vc_column][\/vc_row][vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb][vc_column][vc_column_text]Nous devions r\u00e9ussir la reproduction fid\u00e8le de l\u2019ouvrage Toros &#8211; Pablo Picasso, en disposant uniquement d\u2019un ouvrage imprim\u00e9 dans les ann\u00e9es 60, sans aucun autre \u00e9l\u00e9ment. D\u00e9plus, apr\u00e8s analyse de cet ouvrage, nous avons constat\u00e9 que certaines pages \u00e9taient en quadri + divers Pantone, d\u2019autres \u00e9taient en bichromie + fond Pantone et d\u2019autres encore \u00e9taient en trichromie \u00e0 base de Pantone, le tout dans une instabilit\u00e9 d\u2019impression d\u2019une page \u00e0 l\u2019autre, sans aucune standardisation.<\/p>\n<p>L\u2019objectif \u00e9tait d\u2019am\u00e9liorer la qualit\u00e9 de reproduction de l\u2019ouvrage avec plus de nettet\u00e9, plus de contraste et un meilleur rendu colorim\u00e9trique, ainsi qu\u2019une stabilit\u00e9 du d\u00e9but \u00e0 la fin du livre, dans un process industriel.[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb25&Prime; down=\u00a0\u00bb0&Prime;][\/vc_column][\/vc_row][vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb][vc_column][vc_column_text]Une fois analys\u00e9 par nos \u00e9quipes techniques, nous pr\u00e9sentons un chemin de fer et une proposition technique. L\u2019id\u00e9e consistait \u00e0 imprimer les cahiers couleurs avec notre technologie d\u2019impression en multichromie (gamut du RVB) et ainsi \u00e9conomiser les impression Pantone diverses de notre document original. Pour les pages en bi ou trichromie nous avons opt\u00e9 pour un Pantone Black et deux Pantone beige de diff\u00e9rentes intensit\u00e9s. Pour corser le challenge, le papier choisi est un Old Mild ; papier haut de gamme \u00e0 forte porosit\u00e9.[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb32&Prime; down=\u00a0\u00bb0&Prime;][\/vc_column][\/vc_row][vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb][vc_column][vc_column_text]<\/p>\n<p class=\"Corps\"><strong><span lang=\"FR\">Processus de photogravure<\/span><\/strong><\/p>\n<p>[\/vc_column_text][vc_empty_space][vc_column_text]1) Tout d\u2019abord, notre atelier de photogravure parisien Les Cam\u00e9l\u00e9ons a num\u00e9ris\u00e9 en HD les pages originales du livre, en supprimant la trame pour \u00e9viter tout moirage \u00e0 la prochaine impression.<\/p>\n<p>2) Seconde \u00e9tape, nettoyer les images des impuret\u00e9s de l\u2019ancien livre, ajouter du contraste et de la nettet\u00e9, recr\u00e9er les fonds perdus.<\/p>\n<p>3) A partir de l\u2019original, Il fallait passer les diff\u00e9rentes teintes de fond au spectrophotom\u00e8tre pour valider les fonds papier et les fonds image, d\u2019autant plus que ces fonds oscillaient d\u2019une page \u00e0 l\u2019autre. Finalement nous avons r\u00e9solu le projet en s\u00e9parant en 4 types de cahiers :<\/p>\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li>Cahiers avec des pages en multichromie -RVB (toutes les pages en couleur)<\/li>\n<li>Cahiers en noir direct. Pantone Black U<\/li>\n<li>Cahiers en 2 Pantone cr\u00e8me, 1 Pantone gris et 1 Pantone black pour les images en noire (bichro)<\/li>\n<li>Cahiers en 3 Pantone cr\u00e8me, 1 Pantone gris et 1 Pantone black pour les images en noire (trichro)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>4) \u00c9preuvage contractuel :<\/p>\n<p>Toutes les \u00e9preuves ont \u00e9t\u00e9 faites avec le profil FOGRA 47L adapt\u00e9 \u00e0 la multichromie (Gamut RVB) mais aussi gr\u00e2ce aux mesures spectophotom\u00e9triques des tons Pantone cr\u00e8me ainsi que des test en machine directe de la bichromie (noir+gris) nous avons pu adapter et simuler des profils FOGRA 47L aussi pour ces tons directs . Ainsi, le client a pu valider des \u00e9preuves contractuelles avant l\u2019impression.[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb32&Prime; down=\u00a0\u00bb0&Prime;][\/vc_column][\/vc_row][vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb][vc_column][vc_column_text]<\/p>\n<h4><strong>Descriptif technique<\/strong><\/h4>\n<p>[\/vc_column_text][vc_empty_space][vc_column_text]Livre + Coffret<\/p>\n<p>Format : 27,8 x 37,8 cm.<\/p>\n<p>Pages : 172 avec du papier Old Mill Premium White 190g de Fedrigoni<\/p>\n<p>Gardes : aussi sur du Old Mill Premium White 190 g.<\/p>\n<p>Couv et fourreau coffret : Toile blanche Brillantia Winter<\/p>\n<p>Reliure : dos carr\u00e9 cousu, cartonn\u00e9 3,5 mm avec de tranchefiles et dos \u00e0 plat.<\/p>\n<p>Coffret : carton\u00e9e 3,5 mm avec de la toite et int\u00e9rieur blanc.<\/p>\n<p>Impression des cahiers :<\/p>\n<p>44 pages en multichromie-RVB 7 coul.<\/p>\n<p>32 pages en 1 couleur Pantone black U<\/p>\n<p>80 pages avec 4 Pantone, 2 couleurs cr\u00e8me, un noir Pantone black U et un Pantone gris.<\/p>\n<p>Le solde en 3 Pantone, 1 coul cr\u00e8me, un noir Pantone black U et un Pantone gris.<\/p>\n<p>\u00c9dition : 6.000 ex (2.000 en fran\u00e7ais + 4.000 en anglais)[\/vc_column_text][vc_separator type=\u00a0\u00bbtransparent\u00a0\u00bb up=\u00a0\u00bb32&Prime; down=\u00a0\u00bb0&Prime;][vc_empty_space][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Avec ce projet, nous avons relev\u00e9 un d\u00e9fi technologique. La premi\u00e8re de nos forces pour r\u00e9ussir \u00e9tait l\u2019association photogravure (les Cam\u00e9l\u00e9ons) et l\u2019impression (Agpograf). Lorsque Monsieur Bernard Champeau, chef de projet aux Editons du Cercle d\u2019Art, nous a montr\u00e9 le projet, nous n\u2019avons imagin\u00e9 que le r\u00e9sultat pouvait \u00eatre aussi vite satisfaisant, pour tous.<br \/>\nNous devions r\u00e9ussir la reproduction fid\u00e8le de l\u2019ouvrage Toros &#8211; Pablo Picasso, en disposant uniquement d\u2019un ouvrage imprim\u00e9 dans les ann\u00e9es 60, sans aucun autre \u00e9l\u00e9ment. D\u00e9plus, apr\u00e8s analyse de cet ouvrage, nous avons constat\u00e9 que certaines pages \u00e9taient en quadri + divers Pantone, d\u2019autres \u00e9taient en bichromie + fond Pantone et d\u2019autres encore \u00e9taient en trichromie \u00e0 base de Pantone, le tout dans une instabilit\u00e9 d\u2019impression d\u2019une page \u00e0 l\u2019autre, sans aucune standardisation.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"gallery","meta":{"footnotes":""},"categories":[42],"tags":[],"class_list":["post-3319","post","type-post","status-publish","format-gallery","hentry","category-non-classifiee","post_format-post-format-gallery"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v25.0 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>\u00c9ditions Cercle d&#039;Art - Fondation Picasso Paris &#8211; Nexe Impressions<\/title>\n<meta name=\"description\" content=\"Un projet d&#039;impression pour les \u00c9ditions Cercle d&#039;Art et la Fondation Picasso o\u00f9 nous avons imprim\u00e9 une reproduction fid\u00e8le de l&#039;\u0153uvre de Pablo Picasso en impression Multicolor RVB.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/nexeimpressions.com\/fr\/picasso-paris\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u00c9ditions Cercle d&#039;Art - Fondation Picasso Paris &#8211; 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